Hollywood is debating AI. India’s filmmakers are embracing it

Hello, this is Priyanka Salve, writing to you from Singapore.

Welcome to the latest edition of  “Inside India“ — your one-stop destination for stories and developments from the world’s fastest-growing large economy.

India is home to the world’s most prolific filmmaking industry. This week, industry executives told me that generative AI adoption is accelerating as producers seek to meet rising content demand in the country’s $32 billion media and entertainment sector while navigating tighter budgets.

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While Hollywood continues to work out how best to use AI and debates its effect on jobs, filmmakers in India — the world’s most prolific movie production industry — have taken the next step.

In October last year, JioStar, a joint venture between Indian billionaire Mukesh Ambani-owned Reliance Industries and Walt Disney, launched a 100-episode series that used generative AI to produce a retelling of the Indian mythological epic “Mahabharat.”

The series, “Mahabharat: Ek Dharmayudh,” garnered 6.5 million views on its launch day, with its performance exceeding 2.1 times the platform average, JioStar’s Senior Vice President of GenAI Content and Technology Stephan Bugaj told CNBC by email.

Bugaj added that the series was never meant to be “a one-off experiment” for the platform and is the first step in exploring how AI can “expand the boundaries of storytelling.”

And they aren’t the only ones.

Indian production house Abundantia Entertainment is preparing for the theatrical launch of “Chiranjeevi Hanuman – The Eternal,” based on the mythology around an Indian deity and described as India’s first AI-generated feature film by local media.

“Made in India: the Titan story,” a series streaming on Amazon’s MX Player, has used over 100 AI shots to recreate Mumbai of the 1970s, said Prasad Gori, an AI artist who has worked on the project with his partners Anurag Tiwari and Sagar Chogale.

There has been a boom in AI-related production work in the last eight months, Gori said, adding that he now gets 10-15 offers for such jobs every week. Three years ago, he had to chase production firms for work.

India’s media and entertainment market was valued at $32 billion in 2025 and is growing at 9%, a faster rate than the broader economy, according to a report by consultancy firm Ernst & Young in March.

Generative AI tools can create films and content on a grand scale at much lower cost than traditional methods, but the real benefit is that it cuts down production timelines, according to Neil Shah, vice president of research at Counterpoint Research.

“There is a huge demand for content in India,” Shah said in a telephone interview, adding that it makes “time to market” a crucial element for success.